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How Katmar Secured Her First Client After Reworking Her Colour palette, Style and Themes
Katmar originally came to the mentorship creating work rooted in her own culture and it didn’t translate strongly to the UK or US commercial markets. She needed support in understanding what publishers and editorial clients in these regions were looking for, and how to adapt her visual language. During the mentorship, I shared ideas and direction on subjects and styles that would be more aligned with the UK market. Together, we began building a new portfolio that focused on e


How the Mentorship Helped Marième Secure a Dream Editorial Client at Foreign Policy
Marieme Ba is an illustrator based in London. The main focus of her mentorship was to develop work specifically aimed at editorial clients, and she now has a strong portfolio featuring a broad range of highly conceptual pieces that demonstrate strong storytelling and clear editorial thinking. She has since worked with clients including Foreign Policy, and feedback from her commissioning editor highlighted how smooth and successful the collaboration was. “Brilliant, thank you!


How Mentorship Helped Kate H from Belarus Secure a Six-Book Deal with a UK Publisher
Kate and I first met online—I was based in the UK, and Kate from Belarus. Despite Kate’s talent, she found herself stuck in a cycle of low-paid commissions, often without contracts or proper agreements in place. This left her feeling undervalued, unprotected, and lacking confidence when navigating client relationships. She knew she wasn’t getting the most out of the opportunities coming her way, and more importantly, she felt out of her depth when trying to move forward. Crea


Discover how illustrator Kyria and Helen worked together to prepare for and make the most of the Bologna Children’s Book Fair and how her new illustrations will serve a greater purpose.
Kyria joined the mentorship at a point where she already had solid experience and an established client base. What she was really looking for was access—connection to larger, more widely recognised publishers—and a way to enhance her work so it could confidently sit within that space and attract well known publishers. A key area we focused on was her use of line. Her illustrations were heavily outlined, which gave them a distinct character, but I felt that reducing the relian
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